Five international films to stream now

Stream it on Netflix.

There are films about holy teachers who try to make a difference in schools in danger of a dozen, but few take away the concept of feeling good with as much gloom or wit as it does. this French comedy. “School Life” features the luminous Zita Hanrot as Samia Zibra, a counselor who has just arrived at a high school in the suburbs of Paris in Saint-Denis, where the population is calming the poor and in- imriche.

Directed by Grand Corps Malade rapper (Fabien Marsaud) and hip-hop dancer Mehdi Idir – both of whom grew up in Saint-Denis – “School Life” is a fascinating portrayal of life in suburban areas. -french cities and sharp criticism of one. an education system that tells disadvantaged children that they are not worth their dreams. But above all, the film is a moving medium of student humor and ingenuity reinforced by hard life.

Laughter set pieces enjoy the audible with which the children make incredible excuses for their obscenity (“antelope got in my way”) and the ingenious energy of their humiliation (one teacher has defined as “Trump came across van Gogh”). Performed mostly by non-professional actors, students animate this ensemble film with their own charm and humorous time, while Marsaud and Idir avoid sentimentalism with a bracing dose of real -live experience.

Many times while watching “Captain Zaatari,” I forgot that it was a documentary; the film’s stunning direction, the film’s style – and the intimacy it derives from its subjects – make it feel like a story. Ali El Arabi’s feature follows two teenagers, Fawzi and Mahmoud, who live in Zaatari, a Syrian refugee camp in Jordan. Their movement has stolen many things from them – their homes, their education, their family members – but not their love of football. Sport will be the center of their hopes when a campaign called “Syrian Dream” allows them to travel to Qatar and compete in an international under-17 competition.

Following Fawzi and Mahmoud’s journey from their camp to Qatar and back, El Arabi’s film does not provide much information on the refugee situation. Instead, it sweeps us up in their emotions – the expectations, the grit, the disappointments – with snippets of their heart – to – heart conversations and intimate conversations with the golden light of their faces. The documentary sometimes expands as a sports drama, with high-octane scenes from the competition, but, at its heart, “Captain Zaatari” is all about the fraternal connection between Fawzi and Mahmoud. Instead of the aggression or rivalry that teenage athletes might expect, the two boys offer each other and are thankful that they can spend their little dreams together.

It flowed on Tubi.

This age-old drama – or rather, rage – by Uruguayan director Lucia Garibaldi is torn apart by two dangers of adolescent desire and the danger of oceans. We first meet 14-year-old Rosina (Romina Bentancur) as she defiantly runs into the sea, chased by her father. She searches for the water with her eyes, and just as she turns away willingly, a shark’s fin appears among the waves.

Our heroine lives in a small seaside village, where the arrival of the sharks is sick to the local fishing community. Rosina’s growing position on the sharks reflects on her slow-burning obsession with Joselo (Federico Morosini), a lecherous teenager working for her inviting father to try in his garage.

“The Sharks” is about predators and predators (of various stripes), although the balance between the two moves changes invisibly in this hypnotic, hilarious film. There is no morality or sensitivity in Garibaldi’s approach to the dangerous mahogany of female sexuality. Instead, her camera silently and intently keeps a close eye on her young protagonist, allowing the weight of the film’s power to play out on her spotless, sunny face. .

Stream it on Mubi.

This Argentine tragicomedy consists of a series of black-and-white vignettes who are deceived by their simplicity and the depths of their absence. The Ana Katz feature title comes from the first two vignettes, in which Sebas, a 30-something photographer in Buenos Aires, is harassed by his neighbors about the constant crying of his dog, and then his career let him go when he asks to take the dog with him. to work.

After a strange and engaging rendition – beautifully illustrated in an illustrated interlude – the film jumps through a series of episodes from Sebas’s life over the years, capturing his time in collaboration. farming, his mother’s wedding and his own romance and last father. Sebas’ s different hairstyles are going to be our hallmarks for a while, though the actor, Daniel Katz, maintains an interesting stock throughout – a kind of humble commitment to undertake though whatever life throws at it.

In one of the last vignettes, Sebas and his family sail to the dystopian Buenos Aires where the air can only breathe up to four feet above the ground. The rich cycle around consuming bubble-shaped oxygen vessels; the poor crab and crawling on the floor. Here, “The Dog Who Wouldn’t Be Quiet” emerges as a sensible (and timely) reflection on human suffering in a world that is likely to be near disaster, whether capitalist or environmental. ‘ann.

Rent it or buy it on Amazon.

This Chinese drama is set somewhere between the sexually explicit social images of Jia Zhangke and the cinema full of slacker Richard Linklater. Shujun Wei’s first autobiography follows the rare adventures of Kun (Zhou You), an elegant mullet – clad loafer who learns to be a sound recorder at a film school in Beijing. Both sweetly and unbelievably, Kun and his progressive friend Tong (Tong Lin Kai) leave the classroom and spend their free time driving around in Kun’s rickety jeep, trying to make a nimble buck. Their schemes include enabling the deceptive musical desires of a wealthy construction mogul and secretly selling the test papers of Kun’s mother, a schoolteacher.

Amidst those high jinks, the duo try to make art similar to their heroes – named Hong Sangsoo and Wong Kar-wai, among others – while supporting a classmate with his dissertation film. In his self-explanatory ideas of cinephilia, Shujun’s free film feels cheerful and natural but meticulously made up. Each frame explodes with socio-cultural details – from the US map sticker on a jeep Kun to the Chinese hip-hop that the characters rap on the tour – that introduces us to the local amenities and global secrets of a new generation of middle-class Chinese youth. .

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